A key figure in the development of contemporary photography in Canada, Ian Wallace examines the impact of urban development and the modernisation of cities on individuals. He is a pioneer of large-format photography and has greatly contributed to the renewed appreciation of the form. In the 1960s, he develops a conceptual photographic approach that serves as a tool for social and aesthetic analysis, and later redirects his research towards visual language and artistic mediums, particularly painting and photography, which converge in his work to form a unique dialogue. Wallace’s work demonstrates how modern society provokes individual alienation, a concern he shares with many of his contemporaries, including Stan Douglas, Rodney Graham and Jeff Wall.

In the Street (Tom), 1989, Photograph laminated on canvas, acrylic, and ink monotype on canvas.
© Ian Wallace • Photo: Richard-Max Tremblay