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Serge Murphy, Affections, © Serge Murphy • Photo: Richard-Max Tremblay

Serge Murphy, Affections, © Serge Murphy • Photo: Richard-Max Tremblay

Serge Murphy, Affections, © Serge Murphy • Photo: Richard-Max Tremblay

Serge Murphy, Affections, © Serge Murphy • Photo: Richard-Max Tremblay

Serge Murphy, Affections, © Serge Murphy • Photo: Richard-Max Tremblay

Serge Murphy, Affections, © Serge Murphy • Photo: Richard-Max Tremblay

Artist: Serge Murphy
Title: Affections
Dimensions and medium: Various materials, 3.66 × 10.67 × 1.50 m (variable dimensions)

See Also

Tarpaulin No. 2, 1974-1975, Gesso and crayon on tarpaulin, rope, metal wire, grommets, and steel tube. — Betty Goodwin, Tarpaulin No. 2, 1974-1975 Tarpaulin No. 2, 1974-1975, Gesso and crayon on tarpaulin, rope, metal wire, grommets, and steel tube.

Violator, 2015, Wool, plastic, polymerized gypsum, cellophane, and stickers. — Liz Magor, Violator, 2015 Violator, 2015, Wool, plastic, polymerized gypsum, cellophane, and stickers.

The Density of Notion, 1986, Iron, ashes, metal wire, and egg tempera on cardboard, 2 elements. — Pieter Laurens Mol, The Density of Notion, 1986 The Density of Notion, 1986, Iron, ashes, metal wire, and egg tempera on cardboard, 2 elements.

Alarm Clock (3295) (de la série « Thick Paintings », 1979 - 1994), 1979-1994, 3295 acrylic coats on an alarm clock. — Eric Cameron, Alarm Clock (3295) (de la série « Thick Paintings », 1979 - 1994), 1979-1994 Alarm Clock (3295) (de la série « Thick Paintings », 1979 - 1994), 1979-1994, 3295 acrylic coats on an alarm clock.

Revisited Vocabulary Lesson, 1991, Oil on canvas cut and mounted on chiselled foamboard. — Larry Rivers, Revisited Vocabulary Lesson, 1991 Revisited Vocabulary Lesson, 1991, Oil on canvas cut and mounted on chiselled foamboard.

Untitled, 1985, Oil, encaustic, and wood on canvas. — Mimmo Paladino, Untitled, 1985 Untitled, 1985, Oil, encaustic, and wood on canvas.

n° 178 - Registre n° 2, inscription de choses et de lieux, 1989, Acrylic on plywood. — Guy Pellerin, n° 178 - Registre n° 2, inscription de choses et de lieux, 1989 n° 178 - Registre n° 2, inscription de choses et de lieux, 1989, Acrylic on plywood.

Eclipsing the Past, Present and Future, 2008, Ink on reflective material and Shoji paper. — Ed Pien, Eclipsing the Past, Present and Future, 2008 Eclipsing the Past, Present and Future, 2008, Ink on reflective material and Shoji paper.

Cold Heaven, 1983-1984, Gold leaf on plywood and black and white framed photograph. — Robert Longo, Cold Heaven, 1983-1984 Cold Heaven, 1983-1984, Gold leaf on plywood and black and white framed photograph.

Implications of White, 1984-1985, Oil, plaster, metal, cement, and wax on wood. — Louis Comtois, Implications of White, 1984-1985 Implications of White, 1984-1985, Oil, plaster, metal, cement, and wax on wood.

<em>Contact: When Odd Gets Even</em>, 2002 of Contact: When Odd Gets Even, 2002, Seed beads, thread, and canvas. — Nadia Myre, Contact: When Odd Gets Even, 2002 Contact: When Odd Gets Even, 2002 of Contact: When Odd Gets Even, 2002, Seed beads, thread, and canvas.

Pulsation 7, c. 1967-1969, Laminated casing and metal gear wheels connected to a variable speed motor. — Roger Vilder, Pulsation 7, c. 1967-1969 Pulsation 7, c. 1967-1969, Laminated casing and metal gear wheels connected to a variable speed motor.

Ciboulette, 1968, Light panel (neon tubes). — Jacques Hurtubise, Ciboulette, 1968 Ciboulette, 1968, Light panel (neon tubes).

Sans titre, 1982, Various materials and found objects. — Jannis Kounellis, Sans titre, 1982 Sans titre, 1982, Various materials and found objects.

In the Street (Tom), 1989, Photograph laminated on canvas, acrylic, and ink monotype on canvas. — Ian Wallace, In the Street (Tom), 1989 In the Street (Tom), 1989, Photograph laminated on canvas, acrylic, and ink monotype on canvas.

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