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Nadia Myre

Contact: When Odd Gets Even, 2002

Seed beads, thread and canvas, 35.5 × 35.5 cm

Gift of Collection Loto-Québec, acquired in partnership with the Musée d’art contemporain de Montréal

Contact: When Odd Gets Even, 2002, Seed beads, thread and canvas.

© Nadia Myre. (Licence émise par Droits d’auteur Arts visuels – CARCC, 2017.) • Photo: Richard-Max Tremblay
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Nadia Myre

Born in Montreal (Québec), Canada, in 1974

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See Also

Affections, 1993, Various materials.
Serge Murphy, Affections, 1993
The Density of Notion, 1986, Iron, ashes, metal wire and egg tempera on cardboard.
Pieter Laurens Mol, The Density of Notion, 1986
Tarpaulin No. 2, 1974-1975, Mixed medias on tarpaulin and rope.
Betty Goodwin, Tarpaulin No. 2, 1974-1975
Sans titre, 1982, Various materials and found objects.
Jannis Kounellis, Sans titre, 1982
Alarm Clock (3295) (de la série « Thick Paintings », 1979 - 1994), 1979-1994, 3295 layers of acrylic medium on an alarm clock.
Eric Cameron, Alarm Clock (3295) (de la série « Thick Paintings », 1979 - 1994), 1979-1994
Marine Saint-Jean-Port-Joli 2, 2001, Plastic bottles and staples.
Jérôme Fortin, Marine Saint-Jean-Port-Joli 2, 2001
Implications of White, 1984-1985, Oil, plaster, metal, cement and wax on wood.
Louis Comtois, Implications of White, 1984-1985
Box #4, 1962, Various materials collage.
Charles Gagnon, Boîte nº 4, 1962
Eclipsing the Past, Present and Future, 2008, Ink on cut 3M reflecting material and Shoji paper.
Ed Pien, Eclipsing the Past, Present and Future, 2008
Violator, 2015, Wool, plastic, polymerized gypsum, cellophane and sticker.
Liz Magor, Violator, 2015
Registre nº 2, inscription de choses et de lieux, 1989, Acrylic on plywood.
Guy Pellerin, Registre nº 2, inscription de choses et de lieux, 1989
Revisited Vocabulary Lesson, 1991, Oil on canvas cut and mounted on chiselled foamboard.
Larry Rivers, Revisited Vocabulary Lesson, 1991
Ciboulette, 1968, Light panel (green neon).
Jacques Hurtubise, Ciboulette, 1968
Carton II, 2006, Polymerized gypsum, tobacco, gum, matches, 1/2.
Liz Magor, Carton II, 2006
Cold Heaven, 1983-1984, Gold leaf on plywood and black and white framed photograph.
Robert Longo, Cold Heaven, 1983-1984
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