Collections Detail – MAC Montréal

George Legrady, Double Talk, © George Legrady

Artist: George Legrady
Title: Double Talk
Dimensions and medium: Tinted gelatin silver print, 3/10, 71.7 × 89.2 cm

See Also

Petits riens, 2002, Digital chromogenic print mounted on composite support, 1/2. — Nicolas Baier, Petits riens, 2002 Petits riens, 2002, Digital chromogenic print mounted on composite support, 1/2.

Exposure #44, Barmsee, Bavaria, 08.18.06, 4:37 p.m., 2006, Inkjet print, 5/5. — Barbara Probst, Exposure #44, Barmsee, Bavaria, 08.18.06, 4:37 p.m., 2006 Exposure #44, Barmsee, Bavaria, 08.18.06, 4:37 p.m., 2006, Inkjet print, 5/5.

Palais Garnier Paris XXXI, 2005, Chromogenic print, 3/6. — Candida Höfer, Palais Garnier Paris XXXI, 2005 Palais Garnier Paris XXXI, 2005, Chromogenic print, 3/6.

Self Portrait with Skeleton, 2003, Cibachrome print, 4/5. — Marina Abramovic, Self Portrait with Skeleton, 2003 Self Portrait with Skeleton, 2003, Cibachrome print, 4/5.

Venetian Blind, 1970, printed of 2002, 24 Chromogenic prints, Edition of 3. — Michael Snow, Venetian Blind, 1970, printed of 2002 Venetian Blind, 1970, printed of 2002, 24 Chromogenic prints, Edition of 3.

Chemin de fer, 1994, Silver gelatin print, 1/3. — Angela Grauerholz, Chemin de fer, 1994 Chemin de fer, 1994, Silver gelatin print, 1/3.

The Last Image. Blind with couch, 2010, 4 Inkjet prints mounted on aluminum, 2 plexiglass casings, and 2 metal frames, 1/3. — Sophie Calle, Aveugle au divan (de la série « La Dernière image », 2010), 2010 The Last Image. Blind with couch, 2010, 4 Inkjet prints mounted on aluminum, 2 plexiglass casings, and 2 metal frames, 1/3.

Generic Man, 1987-1989, printed of 2002, Duratrans display transparency and light box. — Jana Sterbak, Generic Man, 1987-1989, printed of 2002 Generic Man, 1987-1989, printed of 2002, Duratrans display transparency and light box.

Red Man, 2004, Inkjet print face-mounted on plexiglass and mounted on composite aluminum panel, 1/7. — Chih-Chien Wang, Red Man, 2004 Red Man, 2004, Inkjet print face-mounted on plexiglass and mounted on composite aluminum panel, 1/7.

Le Corps du ciel, 1992, 2 chromogenic prints mounted on plexiglass, 1/2. — Geneviève Cadieux, Le Corps du ciel, 1992 Le Corps du ciel, 1992, 2 chromogenic prints mounted on plexiglass, 1/2.

Blindsight, 2005, Digital chromogenic print, 2/5. — Isabelle Hayeur, Blindsight, 2005 Blindsight, 2005, Digital chromogenic print, 2/5.

Fragments (de la série « Le Chasseur d’images », 1991 - 1994), 1992, 82 silver gelatin prints, 82 wood frames, and pins, 1/3. — Roberto Pellegrinuzzi, Fragments (de la série « Le Chasseur d’images », 1991 - 1994), 1992 Fragments (de la série « Le Chasseur d’images », 1991 - 1994), 1992, 82 silver gelatin prints, 82 wood frames, and pins, 1/3.

Vertical Pull 1, 1977, 12 gelatin silver prints. — Suzy Lake, Vertical Pull 1, 1977 Vertical Pull 1, 1977, 12 gelatin silver prints.

Réminiscence, 2012, Inkjet print on aluminum, A.P.. — Nicolas Baier, Réminiscence, 2012 Réminiscence, 2012, Inkjet print on aluminum, A.P..

Cathexis No. 48 (de la série « Cathexis Series », 1982), 1982, printed of 1993, Chromogenic print and decals. — Joseph Kosuth, Cathexis No. 48 (de la série « Cathexis Series », 1982), 1982, printed of 1993 Cathexis No. 48 (de la série « Cathexis Series », 1982), 1982, printed of 1993, Chromogenic print and decals.

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