Collections Detail – MAC Montréal

Ed Pien, Eclipsing the Past, Present and Future, © Ed Pien • Photo: Richard-Max Tremblay

Artist: Ed Pien
Title: Eclipsing the Past, Present and Future
Dimensions and medium: Ink on reflective material and Shoji paper, 257 × 365 cm
Origin: Purchase, with funds from the Collectors Symposium 2009, National Bank Financial Group

See Also

Ciboulette, 1968, Light panel (neon tubes). — Jacques Hurtubise, Ciboulette, 1968 Ciboulette, 1968, Light panel (neon tubes).

Violator, 2015, Wool, plastic, polymerized gypsum, cellophane, and stickers. — Liz Magor, Violator, 2015 Violator, 2015, Wool, plastic, polymerized gypsum, cellophane, and stickers.

Marine Saint-Jean-Port-Joli 2, 2001, Plastic bottles and staples. — Jérôme Fortin, Marine Saint-Jean-Port-Joli 2, 2001 Marine Saint-Jean-Port-Joli 2, 2001, Plastic bottles and staples.

In the Street (Tom), 1989, Photograph laminated on canvas, acrylic, and ink monotype on canvas. — Ian Wallace, In the Street (Tom), 1989 In the Street (Tom), 1989, Photograph laminated on canvas, acrylic, and ink monotype on canvas.

Tarpaulin No. 2, 1974-1975, Gesso and crayon on tarpaulin, rope, metal wire, grommets, and steel tube. — Betty Goodwin, Tarpaulin No. 2, 1974-1975 Tarpaulin No. 2, 1974-1975, Gesso and crayon on tarpaulin, rope, metal wire, grommets, and steel tube.

Sans titre, 1982, Various materials and found objects. — Jannis Kounellis, Sans titre, 1982 Sans titre, 1982, Various materials and found objects.

Implications of White, 1984-1985, Oil, plaster, metal, cement, and wax on wood. — Louis Comtois, Implications of White, 1984-1985 Implications of White, 1984-1985, Oil, plaster, metal, cement, and wax on wood.

Affections, 1993, Various materials. — Serge Murphy, Affections, 1993 Affections, 1993, Various materials.

The Density of Notion, 1986, Iron, ashes, metal wire, and egg tempera on cardboard, 2 elements. — Pieter Laurens Mol, The Density of Notion, 1986 The Density of Notion, 1986, Iron, ashes, metal wire, and egg tempera on cardboard, 2 elements.

Alarm Clock (3295) (de la série « Thick Paintings », 1979 - 1994), 1979-1994, 3295 acrylic coats on an alarm clock. — Eric Cameron, Alarm Clock (3295) (de la série « Thick Paintings », 1979 - 1994), 1979-1994 Alarm Clock (3295) (de la série « Thick Paintings », 1979 - 1994), 1979-1994, 3295 acrylic coats on an alarm clock.

Revisited Vocabulary Lesson, 1991, Oil on canvas cut and mounted on chiselled foamboard. — Larry Rivers, Revisited Vocabulary Lesson, 1991 Revisited Vocabulary Lesson, 1991, Oil on canvas cut and mounted on chiselled foamboard.

Cold Heaven, 1983-1984, Gold leaf on plywood and black and white framed photograph. — Robert Longo, Cold Heaven, 1983-1984 Cold Heaven, 1983-1984, Gold leaf on plywood and black and white framed photograph.

<em>Contact: When Odd Gets Even</em>, 2002 of Contact: When Odd Gets Even, 2002, Seed beads, thread, and canvas. — Nadia Myre, Contact: When Odd Gets Even, 2002 Contact: When Odd Gets Even, 2002 of Contact: When Odd Gets Even, 2002, Seed beads, thread, and canvas.

Carton II, 2006, Polymerized gypsum, cigarettes, cigars, chewing gums, cigarrette packs,and matches, 1/2. — Liz Magor, Carton II, 2006 Carton II, 2006, Polymerized gypsum, cigarettes, cigars, chewing gums, cigarrette packs,and matches, 1/2.

Box #4, 1962, Collage of various materials. — Charles Gagnon, Boîte n° 4, 1962 Box #4, 1962, Collage of various materials.

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