Barbara Probst

Exposure #44, Barmsee, Bavaria, 08.18.06, 4:37 p.m., 2006

© Barbara Probst / SOCAN (2022) • Photo: Richard-Max Tremblay

Barbara Probst, Exposure #44, Barmsee, Bavaria, 08.18.06, 4:37 p.m., © Barbara Probst / SOCAN (2022) • Photo: Richard-Max Tremblay

© Barbara Probst / SOCAN (2022) • Photo: Richard-Max Tremblay

Barbara Probst, Exposure #44, Barmsee, Bavaria, 08.18.06, 4:37 p.m., © Barbara Probst / SOCAN (2022) • Photo: Richard-Max Tremblay

© Barbara Probst / SOCAN (2022) • Photo: Richard-Max Tremblay

Barbara Probst, Exposure #44, Barmsee, Bavaria, 08.18.06, 4:37 p.m., © Barbara Probst / SOCAN (2022) • Photo: Richard-Max Tremblay
Artist
Barbara Probst
Title
Exposure #44, Barmsee, Bavaria, 08.18.06, 4:37 p.m.
Dimensions and medium
Inkjet print, 5/5, 111.8 × 167.6 cm (each)
Artwork description
The diptych entitled Exposure #44, Barmsee, Bavaria, 08.18.06, 4:37 p.m. is one of a series of photographs taken in New York and Bavaria. In its ability to tell a story, this work challenges the viewer’s insight. The photographer’s viewpoint is not the one we immediately think of; for the young woman who moves before a backdrop identical to the idyllic landscape in which the illusion takes place is seen from two different angles and at exactly the same moment. Questioning the notions of time and space, Probst gives us a work in which the images are directly linked to one another in the simultaneousness of distance and proximity.

See Also

Petits riens, 2002, Digital print mounted on Dibond, 1/2.
Nicolas Baier, Petits riens, 2002 Petits riens, 2002, Digital print mounted on Dibond, 1/2.
Vault, 2012, Chromogenic print mounted under plexiglass, 6/6.
Thomas Demand, Vault, 2012 Vault, 2012, Chromogenic print mounted under plexiglass, 6/6.
Spa, 2000, Chromogenic print, 3/4.
Lynne Cohen, Spa, 2000 Spa, 2000, Chromogenic print, 3/4.
Generic Man, 1987-1989, printed of 2002, Duratran display transparency and light box.
Jana Sterbak, Generic Man, 1987-1989, printed of 2002 Generic Man, 1987-1989, printed of 2002, Duratran display transparency and light box.
Oval (Montmorency Falls, Beauport, Quebec, August 2000), 2000, 36 chromogenic prints.
Bill Vazan, Ovale (Chutes Montmorency, Beauport, Québec, août 2000), 2000 Oval (Montmorency Falls, Beauport, Quebec, August 2000), 2000, 36 chromogenic prints.
Le Corps du ciel, 1992, 2 chromogenic prints mounted on plexiglass, 1/2.
Geneviève Cadieux, Le Corps du ciel, 1992 Le Corps du ciel, 1992, 2 chromogenic prints mounted on plexiglass, 1/2.
Irises, after Van Gogh (from Pictures of Magazines), 2004, Chromogenic print, 5/6.
Vik Muniz, Irises, after Van Gogh (from Pictures of Magazines), 2004 Irises, after Van Gogh (from Pictures of Magazines), 2004, Chromogenic print, 5/6.
Debout sur le rivage, 1984, 9 gelatin silver prints.
Raymonde April, Debout sur le rivage, 1984 Debout sur le rivage, 1984, 9 gelatin silver prints.
Cathexis No. 48 (de la série « Cathexis Series », 1982), 1982, printed of 1993, Chromogenic print and decals, 6/6.
Joseph Kosuth, Cathexis No. 48 (de la série « Cathexis Series », 1982), 1982, printed of 1993 Cathexis No. 48 (de la série « Cathexis Series », 1982), 1982, printed of 1993, Chromogenic print and decals, 6/6.
Lio dans les herbes, 1984, Chromogenic print painted.
Pierre et Gilles, Lio dans les herbes, 1984 Lio dans les herbes, 1984, Chromogenic print painted.
Nicolaas, 1995, 15 chromogenic prints.
Alain Laframboise, Nicolaas, 1995 Nicolaas, 1995, 15 chromogenic prints.
Je m’effondrai en larmes sur le lit, 1978, Gelatin silver print.
Raymonde April, Je m’effondrai en larmes sur le lit, 1978 Je m’effondrai en larmes sur le lit, 1978, Gelatin silver print.
Blindsight, 2005, Digital chromogenic print, 2/5.
Isabelle Hayeur, Blindsight, 2005 Blindsight, 2005, Digital chromogenic print, 2/5.
Réminiscence, 2012, Inkjet print on aluminum, A.P..
Nicolas Baier, Réminiscence, 2012 Réminiscence, 2012, Inkjet print on aluminum, A.P..
Chemin de fer, 1994, Gelatin silver print, 1/3.
Angela Grauerholz, Chemin de fer, 1994 Chemin de fer, 1994, Gelatin silver print, 1/3.
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