Collections Detail – MAC Montréal

Serge Tousignant, Hommage à Magritte, © Serge Tousignant • Photo: Richard-Max Tremblay

Artist: Serge Tousignant
Title: Hommage à Magritte
Dimensions and medium: Easel, mirror, and coloured vinyl strips, 193 × 450 × 110 cm (variable length according to the exhibition area)
Origin: Gift of the artist

See Also

Factory for a Day, 1996-2008, Various materials, paintings, photographs, videos, and sound. — Tricia Middleton, Factory for a Day, 1996-2008 Factory for a Day, 1996-2008, Various materials, paintings, photographs, videos, and sound.

Dervish, 1993-1995, Wood, aluminum, mirrors, strobe light, motor, 2 video projectors, 2 loudspeakers, computer, electronic controls, software, and videodiscs, 2/2. — Gary Hill, Dervish, 1993-1995 Dervish, 1993-1995, Wood, aluminum, mirrors, strobe light, motor, 2 video projectors, 2 loudspeakers, computer, electronic controls, software, and videodiscs, 2/2.

La Nativité, 1995, Waxed plaster, wood, wax, and cow hide. — Gilles Mihalcean, La Nativité, 1995 La Nativité, 1995, Waxed plaster, wood, wax, and cow hide.

Articulated Intersect. Relational Architecture 18, 2011, Searchlight, and various objects and materials. — Rafael Lozano-Hemmer, Intersection articulée. Architecture relationnelle 18, 2011 Articulated Intersect. Relational Architecture 18, 2011, Searchlight, and various objects and materials.

Not I/Pas moi, 2006-2007, Diaporama loop projected on a suspended screen of buttons, 2 suspended mirrors, 18 min. — Christine Davis, Not I/Pas moi, 2006-2007 Not I/Pas moi, 2006-2007, Diaporama loop projected on a suspended screen of buttons, 2 suspended mirrors, 18 min.

Peinture sur/sous verre – Cadré / Encadré / Décadré # 58 I; Peinture sur/sous verre – Cadré / Encadré / Décadré # 59 J, 1990, 20 frames : plexiglass, wood, acrylic paint, and adhesive vinyl. — Daniel Buren, Peinture sur/sous verre – Cadré / Encadré / Décadré # 58 I; Peinture sur/sous verre – Cadré / Encadré / Décadré # 59 J, 1990 Peinture sur/sous verre – Cadré / Encadré / Décadré # 58 I; Peinture sur/sous verre – Cadré / Encadré / Décadré # 59 J, 1990, 20 frames : plexiglass, wood, acrylic paint, and adhesive vinyl.

Battements et Papillons, 2006, Piano, bench, aluminum insulating tape, solenoids, motion detectors, relays, microcontrollers, transformers, and various objects. — Jean-Pierre Gauthier, Battements et Papillons, 2006 Battements et Papillons, 2006, Piano, bench, aluminum insulating tape, solenoids, motion detectors, relays, microcontrollers, transformers, and various objects.

Tous ces visages, 2007-2008, Drawings (coloured pencil, felt pen, and pastel on paper), masks (coloured pencil, felt pen, watercolour, paper, and aluminum tape), polaroid photographs, video, sound, text, and presentation tables. — Raphaëlle de Groot, Tous ces visages, 2007-2008 Tous ces visages, 2007-2008, Drawings (coloured pencil, felt pen, and pastel on paper), masks (coloured pencil, felt pen, watercolour, paper, and aluminum tape), polaroid photographs, video, sound, text, and presentation tables.

Tomorrow’s Achievements, 2014, Four motorized curtains, metallic rails, and processor, 1/3. — Ryan Gander, Tomorrow’s Achievements, 2014 Tomorrow’s Achievements, 2014, Four motorized curtains, metallic rails, and processor, 1/3.

Ombre #4 « Maurice », 1983-1984, Acrylic on plywood. — Christian Kiopini, Ombre #4 « Maurice », 1983-1984 Ombre #4 « Maurice », 1983-1984, Acrylic on plywood.

still EAST of Soliloquy, 1999, 16 mm colour film transferred on 2 DVDs, 2 screens, sound, 17 min 33 s., 5/6. — Shirin Neshat, Soliloquy, 1999 still EAST of Soliloquy, 1999, 16 mm colour film transferred on 2 DVDs, 2 screens, sound, 17 min 33 s., 5/6.

Growing Protectors, 1991-1992, Stainless steel, white spruce, coniferous needles, and earth. — Alan Sonfist, Growing Protectors, 1991-1992 Growing Protectors, 1991-1992, Stainless steel, white spruce, coniferous needles, and earth.

Chameleon, 2004, 1 table and 8 chairs, wood, and metal. — Franz West, Chameleon, 2004 Chameleon, 2004, 1 table and 8 chairs, wood, and metal.

Propos type, 1977, Black and white video, mute, 30 min, television, masking tape, and elastic tape. — Jean-François Cantin, Propos type, 1977 Propos type, 1977, Black and white video, mute, 30 min, television, masking tape, and elastic tape.

Spica, 1999-2001, Paint and vinyl lettering, 1/2. — Rober Racine, Spica, 1999-2001 Spica, 1999-2001, Paint and vinyl lettering, 1/2.

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