Cozic

Krakoss avant et après incubation, 1969

© Cozic / SOCAN (2022) • Photo: Denis Farley

Cozic, Krakoss avant et après incubation, © Cozic / SOCAN (2022) • Photo: Denis Farley
Artist
Cozic
Title
Krakoss avant et après incubation
Dimensions and medium
Plywood, stratified, vinyl, and polyurethane foam, 122 × 132 × 170 cm (overall)
Artwork description
Krakoss avant et après incubation is both an abstract sculpture and an object filled with narrative potential. A plastic pouch holds a long, malleable, transparent tube filled with small sticks. The materials are inviting to touch and to manipulate, and lend a playful character to the work. Furthermore, tension is created through their given forms, which simultaneously emphasize and contradict their industrial origin.

See Also

Very, Very Shaky, 2008, Vinyl gouache on paper.
Adrian Norvid, Very, Very Shaky, 2008 Very, Very Shaky, 2008, Vinyl gouache on paper.
Chute en rouge, 1966, Painted steel.
Françoise Sullivan, Chute en rouge, 1966 Chute en rouge, 1966, Painted steel.
Le Berger, 2008, Wood, plywood, rigid polyethylene foam, expanded polyurethane foam, horsehair, crystals, paint, iron and brass wire, and glass beads.
David Altmejd, Le Berger, 2008 Le Berger, 2008, Wood, plywood, rigid polyethylene foam, expanded polyurethane foam, horsehair, crystals, paint, iron and brass wire, and glass beads.
Parrot Fashion, 1984, Painted car hood and outboard motor.
Bill Woodrow, Parrot Fashion, 1984 Parrot Fashion, 1984, Painted car hood and outboard motor.
Study “Canada Screen” Expo 67, 1965, Painted steel.
Gord Smith, Study “Canada Screen” Expo 67, 1965 Study “Canada Screen” Expo 67, 1965, Painted steel.
Tavolo, 1978, Metal, glass, and stone.
Mario Merz, Tavolo, 1978 Tavolo, 1978, Metal, glass, and stone.
Amerik, 1970, Canvas, string, flannel, wool, adhesive bandage, and aluminum.
Serge Lemoyne, Amerik, 1970 Amerik, 1970, Canvas, string, flannel, wool, adhesive bandage, and aluminum.
Dead on Time, 1990-1992, Silver prints on wooden structure, plywood, and aluminum.
Alain Paiement, Dead on Time, 1990-1992 Dead on Time, 1990-1992, Silver prints on wooden structure, plywood, and aluminum.
Triplo Igloo, 1984, Aluminum, steel, broken glass, clamps, and clay.
Mario Merz, Triplo Igloo, 1984 Triplo Igloo, 1984, Aluminum, steel, broken glass, clamps, and clay.
Vent, 1986, Corten steel.
Jean-Pierre Morin, Vent, 1986 Vent, 1986, Corten steel.
Configuration n° 7, 1967, Plexiglass.
Guido Molinari, Configuration n° 7, 1967 Configuration n° 7, 1967, Plexiglass.
Bois de balancier, 1968, Oak.
Robert Roussil, Bois de balancier, 1968 Bois de balancier, 1968, Oak.
Untitled (Concrete) (tirée de l’installation « Small Flowers Crack Concrete », 2010-2011), 2010-2011, Concrete.
Valérie Kolakis, Untitled (Concrete) (tirée de l’installation « Small Flowers Crack Concrete », 2010-2011), 2010-2011 Untitled (Concrete) (tirée de l’installation « Small Flowers Crack Concrete », 2010-2011), 2010-2011, Concrete.
Justice aux Indiens d’Amérique, 1957, Wood and steel.
Armand Vaillancourt, Justice aux Indiens d’Amérique, 1957 Justice aux Indiens d’Amérique, 1957, Wood and steel.
Conical Plane of Four Masses Round, 1971, Steel.
David Rabinowitch, Conical Plane of Four Masses Round, 1971 Conical Plane of Four Masses Round, 1971, Steel.
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