Collections Detail – MAC Montréal

Candida Höfer, Palais Garnier Paris XXXI, © Candida Höfer / SOCAN (2022) • Photo: courtesy of Johnen Galerie

Artist: Candida Höfer
Title: Palais Garnier Paris XXXI
Dimensions and medium: Chromogenic print, 3/6, 179.3 × 237.1 cm

See Also

Spa, 2000, Chromogenic print, 3/4. — Lynne Cohen, Spa, 2000 Spa, 2000, Chromogenic print, 3/4.

Exposure #44, Barmsee, Bavaria, 08.18.06, 4:37 p.m., 2006, Inkjet print, 5/5. — Barbara Probst, Exposure #44, Barmsee, Bavaria, 08.18.06, 4:37 p.m., 2006 Exposure #44, Barmsee, Bavaria, 08.18.06, 4:37 p.m., 2006, Inkjet print, 5/5.

Red Man, 2004, Inkjet print face-mounted on plexiglass and mounted on composite aluminum panel, 1/7. — Chih-Chien Wang, Red Man, 2004 Red Man, 2004, Inkjet print face-mounted on plexiglass and mounted on composite aluminum panel, 1/7.

Self Portrait with Skeleton, 2003, Cibachrome print, 4/5. — Marina Abramovic, Self Portrait with Skeleton, 2003 Self Portrait with Skeleton, 2003, Cibachrome print, 4/5.

Debout sur le rivage, 1984, 9 silver gelatin prints. — Raymonde April, Debout sur le rivage, 1984 Debout sur le rivage, 1984, 9 silver gelatin prints.

Rat Poison Suicide (de la série « The Morgue »), 1992, Cibachrome print, 1/3. — Andres Serrano, Rat Poison Suicide (de la série « The Morgue »), 1992 Rat Poison Suicide (de la série « The Morgue »), 1992, Cibachrome print, 1/3.

The Last Image. Blind with couch, 2010, 4 Inkjet prints mounted on aluminum, 2 plexiglass casings, and 2 metal frames, 1/3. — Sophie Calle, Aveugle au divan (de la série « La Dernière image », 2010), 2010 The Last Image. Blind with couch, 2010, 4 Inkjet prints mounted on aluminum, 2 plexiglass casings, and 2 metal frames, 1/3.

Venetian Blind, 1970, printed of 2002, 24 Chromogenic prints, Edition of 3. — Michael Snow, Venetian Blind, 1970, printed of 2002 Venetian Blind, 1970, printed of 2002, 24 Chromogenic prints, Edition of 3.

Irises, after Van Gogh (from Pictures of Magazines), 2004, Chromogenic print, 5/6. — Vik Muniz, Irises, after Van Gogh (from Pictures of Magazines), 2004 Irises, after Van Gogh (from Pictures of Magazines), 2004, Chromogenic print, 5/6.

Fragments (de la série « Le Chasseur d’images », 1991 - 1994), 1992, 82 silver gelatin prints, 82 wood frames, and pins, 1/3. — Roberto Pellegrinuzzi, Fragments (de la série « Le Chasseur d’images », 1991 - 1994), 1992 Fragments (de la série « Le Chasseur d’images », 1991 - 1994), 1992, 82 silver gelatin prints, 82 wood frames, and pins, 1/3.

Blindsight, 2005, Digital chromogenic print, 2/5. — Isabelle Hayeur, Blindsight, 2005 Blindsight, 2005, Digital chromogenic print, 2/5.

Histoire naturelle VI (Nubilæ), 1988-1991, 2 silver gelatin prints and oil on masonite. — Charles Gagnon, Histoire naturelle VI (Nubilæ), 1988-1991 Histoire naturelle VI (Nubilæ), 1988-1991, 2 silver gelatin prints and oil on masonite.

Vertical Pull 1, 1977, 12 gelatin silver prints. — Suzy Lake, Vertical Pull 1, 1977 Vertical Pull 1, 1977, 12 gelatin silver prints.

Réminiscence, 2012, Inkjet print on aluminum, A.P.. — Nicolas Baier, Réminiscence, 2012 Réminiscence, 2012, Inkjet print on aluminum, A.P..

Cathexis No. 48 (de la série « Cathexis Series », 1982), 1982, printed of 1993, Chromogenic print and decals. — Joseph Kosuth, Cathexis No. 48 (de la série « Cathexis Series », 1982), 1982, printed of 1993 Cathexis No. 48 (de la série « Cathexis Series », 1982), 1982, printed of 1993, Chromogenic print and decals.

Loading...

Only a part of the collection is currently online and the artworks on display at the MAC are accompanied by the icon

The contents presented in this section are not exhaustive and may be subject to revision. If you have comments to share, or errors to report, please contact us at [email protected].

For information about copyright and intellectual property, or for a reproduction request, see our Terms of Use.