Collections Detail – MAC Montréal

Betty Goodwin, Tarpaulin No. 2, © Gaétan Charbonneau (Betty Goodwin) • Photo: Richard-Max Tremblay

Artist: Betty Goodwin
Title: Tarpaulin No. 2
Dimensions and medium: Gesso and crayon on tarpaulin, rope, metal wire, grommets, and steel tube, 299 × 252.5 cm (tarpaulin), 290.5 cm (steel tube width)

See Also

Ciboulette, 1968, Light panel (neon tubes). — Jacques Hurtubise, Ciboulette, 1968 Ciboulette, 1968, Light panel (neon tubes).

Marine Saint-Jean-Port-Joli 2, 2001, Plastic bottles and staples. — Jérôme Fortin, Marine Saint-Jean-Port-Joli 2, 2001 Marine Saint-Jean-Port-Joli 2, 2001, Plastic bottles and staples.

Implications of White, 1984-1985, Oil, plaster, metal, cement, and wax on wood. — Louis Comtois, Implications of White, 1984-1985 Implications of White, 1984-1985, Oil, plaster, metal, cement, and wax on wood.

The Density of Notion, 1986, Iron, ashes, metal wire, and egg tempera on cardboard, 2 elements. — Pieter Laurens Mol, The Density of Notion, 1986 The Density of Notion, 1986, Iron, ashes, metal wire, and egg tempera on cardboard, 2 elements.

Revisited Vocabulary Lesson, 1991, Oil on canvas cut and mounted on chiselled foamboard. — Larry Rivers, Revisited Vocabulary Lesson, 1991 Revisited Vocabulary Lesson, 1991, Oil on canvas cut and mounted on chiselled foamboard.

Affections, 1993, Various materials. — Serge Murphy, Affections, 1993 Affections, 1993, Various materials.

Violator, 2015, Wool, plastic, polymerized gypsum, cellophane, and stickers. — Liz Magor, Violator, 2015 Violator, 2015, Wool, plastic, polymerized gypsum, cellophane, and stickers.

<em>Contact: When Odd Gets Even</em>, 2002 of Contact: When Odd Gets Even, 2002, Seed beads, thread, and canvas. — Nadia Myre, Contact: When Odd Gets Even, 2002 Contact: When Odd Gets Even, 2002 of Contact: When Odd Gets Even, 2002, Seed beads, thread, and canvas.

Alarm Clock (3295) (de la série « Thick Paintings », 1979 - 1994), 1979-1994, 3295 acrylic coats on an alarm clock. — Eric Cameron, Alarm Clock (3295) (de la série « Thick Paintings », 1979 - 1994), 1979-1994 Alarm Clock (3295) (de la série « Thick Paintings », 1979 - 1994), 1979-1994, 3295 acrylic coats on an alarm clock.

Untitled, 1985, Oil, encaustic, and wood on canvas. — Mimmo Paladino, Untitled, 1985 Untitled, 1985, Oil, encaustic, and wood on canvas.

Box #4, 1962, Collage of various materials. — Charles Gagnon, Boîte n° 4, 1962 Box #4, 1962, Collage of various materials.

In the Street (Tom), 1989, Photograph laminated on canvas, acrylic, and ink monotype on canvas. — Ian Wallace, In the Street (Tom), 1989 In the Street (Tom), 1989, Photograph laminated on canvas, acrylic, and ink monotype on canvas.

Sans titre, 1982, Various materials and found objects. — Jannis Kounellis, Sans titre, 1982 Sans titre, 1982, Various materials and found objects.

Pulsation 7, c. 1967-1969, Laminated casing and metal gear wheels connected to a variable speed motor. — Roger Vilder, Pulsation 7, c. 1967-1969 Pulsation 7, c. 1967-1969, Laminated casing and metal gear wheels connected to a variable speed motor.

Cold Heaven, 1983-1984, Gold leaf on plywood and black and white framed photograph. — Robert Longo, Cold Heaven, 1983-1984 Cold Heaven, 1983-1984, Gold leaf on plywood and black and white framed photograph.

Loading...

Only a part of the collection is currently online and the artworks on display at the MAC are accompanied by the icon

The contents presented in this section are not exhaustive and may be subject to revision. If you have comments to share, or errors to report, please contact us at [email protected].

For information about copyright and intellectual property, or for a reproduction request, see our Terms of Use.