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Pierre Granche, Thalès au pied de la spirale, © The Estate of Pierre Granche / SOCAN (2022) • Photo: Richard-Max Tremblay

Pierre Granche, Thalès au pied de la spirale, © The Estate of Pierre Granche / SOCAN (2022) • Photo: Richard-Max Tremblay

Pierre Granche, Thalès au pied de la spirale, © The Estate of Pierre Granche / SOCAN (2022) • Photo: Richard-Max Tremblay

Artist: Pierre Granche
Title: Thalès au pied de la spirale
Dimensions and medium: Galvanized sheet and wood, 235 cm (height) × 800 cm (diameter)

See Also

Seaplex, 1970, Steel covered with vinyl. — Henry Saxe, Seaplex, 1970 Seaplex, 1970, Steel covered with vinyl.

I Have Been a Tree in the Hand, 1984-1991, Wood and iron. — Giuseppe Penone, I Have Been a Tree in the Hand, 1984-1991 I Have Been a Tree in the Hand, 1984-1991, Wood and iron.

La Salle, 1980, Glass, black paint, adhesive tape, neon, transformer and electrical wiring. — Keith Sonnier, La Salle, 1980 La Salle, 1980, Glass, black paint, adhesive tape, neon, transformer and electrical wiring.

Amerik, 1970, Canvas, string, flannel, wool, tape and aluminum. — Serge Lemoyne, Amerik, 1970 Amerik, 1970, Canvas, string, flannel, wool, tape and aluminum.

La Colonne, 1973-1978, Bronze. — Charles Daudelin, La Colonne, 1973-1978 La Colonne, 1973-1978, Bronze.

Vent, 1986, Corten steel. — Jean-Pierre Morin, Vent, 1986 Vent, 1986, Corten steel.

Le Berger, 2008, Wood, plywood, rigid polythylene foam, expanded polyurethane foam, horsehair, crystals, paint, iron and brass wire, glass beads. — David Altmejd, Le Berger, 2008 Le Berger, 2008, Wood, plywood, rigid polythylene foam, expanded polyurethane foam, horsehair, crystals, paint, iron and brass wire, glass beads.

Mère obscure, père ambigu, fils accompli : Agathe, 1994, Glass, cement, plastic and metal. — Stephen Schofield, Mère obscure, père ambigu, fils accompli : Agathe, 1994 Mère obscure, père ambigu, fils accompli : Agathe, 1994, Glass, cement, plastic and metal.

Archétype, trois demi-cercles, 1958, Painted steel. — Denis Juneau, Archétype, trois demi-cercles, 1958 Archétype, trois demi-cercles, 1958, Painted steel.

Femme panier, 2010, Mannequin, basket, plaster, tool, tights and shirt. — Valérie Blass, Femme panier, 2010 Femme panier, 2010, Mannequin, basket, plaster, tool, tights and shirt.

Nadia ou Le Saut du tremplin, 1976, Aluminum and acrylic. — Marcel Barbeau, Nadia ou Le Saut du tremplin, 1976 Nadia ou Le Saut du tremplin, 1976, Aluminum and acrylic.

Bois de balancier, 1968, Oak. — Robert Roussil, Bois de balancier, 1968 Bois de balancier, 1968, Oak.

L’Origine della pittura, 1982-1983, Wooden stretcher, canvas mounted on stretchers, plaster mold on painted base and fluorescent paint. — Giulio Paolini, L’Origine della pittura, 1982-1983 L’Origine della pittura, 1982-1983, Wooden stretcher, canvas mounted on stretchers, plaster mold on painted base and fluorescent paint.

Eastlake : intransigeant, 2007, Mixed media, wood and fabric. — Yannick Pouliot, Eastlake : intransigeant, 2007 Eastlake : intransigeant, 2007, Mixed media, wood and fabric.

Smoke Rings: Two Concentric Tunnels, Skewed and Noncommunicating, 1980, Plaster and wood. — Bruce Nauman, Smoke Rings: Two Concentric Tunnels, Skewed and Noncommunicating, 1980 Smoke Rings: Two Concentric Tunnels, Skewed and Noncommunicating, 1980, Plaster and wood.

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