1.0MAC Montréalhttps://macm.org/en/littleboxhttps://macm.org/en/author/littlebox/rich600338<blockquote class="wp-embedded-content" data-secret="pM2DTeEHzD"><a href="https://macm.org/en/exhibitions/christian-marclay-the-clock-2/">Christian Marclay: The Clock</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://macm.org/en/exhibitions/christian-marclay-the-clock-2/embed/#?secret=pM2DTeEHzD" width="600" height="338" title="“Christian Marclay: The Clock” — MAC Montréal" data-secret="pM2DTeEHzD" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://macm.org/wp/wp-includes/js/wp-embed.min.js </script> https://macm.org/app/uploads/2016/12/Christian-Marclay-The-Clock-2010-a3-copiemodif1-scaled.jpg25601714London, New York, Jerusalem, Ottawa, Seoul, Venice, Moscow, Toronto: The Clock has won over audiences wherever it has been presented. Winner of the Golden Lion, the top prize awarded by the prestigious Venice Biennale, in 2011, Marclay is an internationally renowned artist and The Clock⎯a visual tour de force⎯has already left its mark on his generation. From The Guardian to Newsweek magazine, critics everywhere have showered The Clock with praise. As Zadie Smith put it in The New York Review of Books, The Clock “is neither bad nor good, but sublime.”