1.0MAC Montréalhttps://macm.org/en/littleboxhttps://macm.org/en/author/littlebox/rich600338<blockquote class="wp-embedded-content" data-secret="JgJkyRGr1P"><a href="https://macm.org/en/exhibitions/patrick-bernatchez/">Patrick Bernatchez</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://macm.org/en/exhibitions/patrick-bernatchez/embed/#?secret=JgJkyRGr1P" width="600" height="338" title="“Patrick Bernatchez” — MAC Montréal" data-secret="JgJkyRGr1P" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://macm.org/wp/wp-includes/js/wp-embed.min.js </script> https://macm.org/app/uploads/2016/12/CARTON_CL_essai6-copy1-e1443039472379.jpg19201353The exhibition presents a significant body of works taken from two major projects: Chrysalides (2006-2013) and Lost in Time (2009-2015). Bernatchez’s artistic process involves creating distinct pieces – drawings, photographs, films, sound pieces, installations – that form part of a larger conceptual project. Lost in Time examines the multiple facets of the dimension of time: space-time, cosmic time, performative time, imaginary time, time travel, temporal distortion. The works in Chrysalides revolve around questions of life and death, decomposition and entropy, as well as the cycle of the seasons, and the passing of time over a day, a month, a year.