{"version":"1.0","provider_name":"MAC Montr\u00e9al","provider_url":"https:\/\/macm.org\/en\/","author_name":"littlebox","author_url":"https:\/\/macm.org\/en\/author\/littlebox\/","title":"Edmund Alleyn","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"yzrykIngGq\"><a href=\"https:\/\/macm.org\/en\/exhibitions\/edmund-alleyn\/\">Edmund Alleyn<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/macm.org\/en\/exhibitions\/edmund-alleyn\/embed\/#?secret=yzrykIngGq\" width=\"600\" height=\"338\" title=\"&#8220;Edmund Alleyn&#8221; &#8212; MAC Montr\u00e9al\" data-secret=\"yzrykIngGq\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/macm.org\/wp\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/macm.org\/app\/uploads\/2016\/12\/Mondrian_au_coucher-1-e1463586989491.jpg","thumbnail_width":1920,"thumbnail_height":1280,"description":"This exhibition turns the spotlight on one of the less well-established figures in the history of recent Qu\u00e9bec art. The ambiguity of Alleyn\u2019s position is partly explained by his absence from Qu\u00e9bec at the time of the Quiet Revolution. However, it is mainly due to the \u201cmultiple personalities\u201d he embodied as an artist. Alleyn went through a succession of stylistic shifts that enabled him to resist any attempt at a definitive classification.\u00a0Through a selection of sixty or\u00a0so works, this retrospective takes a look at Alleyn\u2019s career, tracing\u00a0key moments in his artistic path from the late 1950s\u00a0to the early 2000s, and so illustrating the versatility\u00a0of this protean artist."}