{"version":"1.0","provider_name":"MAC Montr\u00e9al","provider_url":"https:\/\/macm.org\/en\/","author_name":"littlebox","author_url":"https:\/\/macm.org\/en\/author\/littlebox\/","title":"Jean-Pierre Gauthier and Ryoji Ikeda","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"572me7zgIJ\"><a href=\"https:\/\/macm.org\/en\/exhibitions\/orchestretad\/\">Jean-Pierre Gauthier and Ryoji Ikeda<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/macm.org\/en\/exhibitions\/orchestretad\/embed\/#?secret=572me7zgIJ\" width=\"600\" height=\"338\" title=\"&#8220;Jean-Pierre Gauthier and Ryoji Ikeda&#8221; &#8212; MAC Montr\u00e9al\" data-secret=\"572me7zgIJ\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/macm.org\/wp\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/macm.org\/app\/uploads\/2016\/12\/A-15-7-I_IN006-1024x692-5.jpg","thumbnail_width":1024,"thumbnail_height":692,"description":"Two recent acquisitions offer two different perspectives on music and other kinds of visual orchestration. These installations are the work of Jean-Pierre Gauthier, a Montr\u00e9al-based artist featured in a solo exhibition at the Mus\u00e9e d\u2019art contemporain in 2007, and Ryoji Ikeda, a Japanese composer and visual artist based in Paris, whose film version of C4I was presented at the Mus\u00e9e in 2014. While their working protocols and materials differ, these two artists share a common interest in matters related to distribution, composition and arrangement."}