{"version":"1.0","provider_name":"MAC Montr\u00e9al","provider_url":"https:\/\/macm.org\/en\/","author_name":"littlebox","author_url":"https:\/\/macm.org\/en\/author\/littlebox\/","title":"Scores","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"SsdoLZWstx\"><a href=\"https:\/\/macm.org\/en\/exhibitions\/scores\/\">Scores<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/macm.org\/en\/exhibitions\/scores\/embed\/#?secret=SsdoLZWstx\" width=\"600\" height=\"338\" title=\"&#8220;Scores&#8221; &#8212; MAC Montr\u00e9al\" data-secret=\"SsdoLZWstx\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/macm.org\/wp\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/macm.org\/app\/uploads\/2018\/08\/dynamitage-automatiste-1-scaled.jpg","thumbnail_width":1701,"thumbnail_height":2560,"description":"This documentary exhibition, conceived as a link between Manifesto and the Fran\u00e7oise Sullivan retrospective, presents originals of most of the major historical manifestos quoted in Julian Rosefeldt\u2019s video installation. To mark the seventieth anniversary of the publication of Refus global, a copy of that celebrated album (which includes a text by Fran\u00e7oise Sullivan entitled \u201cDance and Hope\u201d) is also on display, along with archival documents and other manifestos that arose from the intersection of dance and performance with the visual arts in Qu\u00e9bec and the rest of Canada. This series of historical documents is interspersed with three artworks, by Filippo Tommaso Marinetti, Romany Eveleigh and Mathieu Beaus\u00e9jour, that also highlight the importance of the materiality of the manifesto and its essentially performative nature: meant to be put into practice, played out, and reenacted, the manifesto operates as a framework for language\u2019s constantly renewed involvement in the transformation of the world."}