Collections Detail – MAC Montréal

Liz Magor, Violator, © Liz Magor • Photo: Richard-Max Tremblay

Artist: Liz Magor
Title: Violator
Dimensions and medium: Wool, plastic, polymerized gypsum, cellophane, and stickers, 61.5 × 411 × 2 cm
Origin: Purchase, with the support of the Canada Council for the Arts Acquisition Grants program

See Also

Ciboulette, 1968, Light panel (neon tubes). — Jacques Hurtubise, Ciboulette, 1968 Ciboulette, 1968, Light panel (neon tubes).

<em>Contact: When Odd Gets Even</em>, 2002 of Contact: When Odd Gets Even, 2002, Seed beads, thread, and canvas. — Nadia Myre, Contact: When Odd Gets Even, 2002 Contact: When Odd Gets Even, 2002 of Contact: When Odd Gets Even, 2002, Seed beads, thread, and canvas.

Marine Saint-Jean-Port-Joli 2, 2001, Plastic bottles and staples. — Jérôme Fortin, Marine Saint-Jean-Port-Joli 2, 2001 Marine Saint-Jean-Port-Joli 2, 2001, Plastic bottles and staples.

In the Street (Tom), 1989, Photograph laminated on canvas, acrylic, and ink monotype on canvas. — Ian Wallace, In the Street (Tom), 1989 In the Street (Tom), 1989, Photograph laminated on canvas, acrylic, and ink monotype on canvas.

Tarpaulin No. 2, 1974-1975, Gesso and crayon on tarpaulin, rope, metal wire, grommets, and steel tube. — Betty Goodwin, Tarpaulin No. 2, 1974-1975 Tarpaulin No. 2, 1974-1975, Gesso and crayon on tarpaulin, rope, metal wire, grommets, and steel tube.

Sans titre, 1982, Various materials and found objects. — Jannis Kounellis, Sans titre, 1982 Sans titre, 1982, Various materials and found objects.

Implications of White, 1984-1985, Oil, plaster, metal, cement, and wax on wood. — Louis Comtois, Implications of White, 1984-1985 Implications of White, 1984-1985, Oil, plaster, metal, cement, and wax on wood.

Affections, 1993, Various materials. — Serge Murphy, Affections, 1993 Affections, 1993, Various materials.

The Density of Notion, 1986, Iron, ashes, metal wire, and egg tempera on cardboard, 2 elements. — Pieter Laurens Mol, The Density of Notion, 1986 The Density of Notion, 1986, Iron, ashes, metal wire, and egg tempera on cardboard, 2 elements.

Alarm Clock (3295) (de la série « Thick Paintings », 1979 - 1994), 1979-1994, 3295 acrylic coats on an alarm clock. — Eric Cameron, Alarm Clock (3295) (de la série « Thick Paintings », 1979 - 1994), 1979-1994 Alarm Clock (3295) (de la série « Thick Paintings », 1979 - 1994), 1979-1994, 3295 acrylic coats on an alarm clock.

Revisited Vocabulary Lesson, 1991, Oil on canvas cut and mounted on chiselled foamboard. — Larry Rivers, Revisited Vocabulary Lesson, 1991 Revisited Vocabulary Lesson, 1991, Oil on canvas cut and mounted on chiselled foamboard.

Cold Heaven, 1983-1984, Gold leaf on plywood and black and white framed photograph. — Robert Longo, Cold Heaven, 1983-1984 Cold Heaven, 1983-1984, Gold leaf on plywood and black and white framed photograph.

Eclipsing the Past, Present and Future, 2008, Ink on reflective material and Shoji paper. — Ed Pien, Eclipsing the Past, Present and Future, 2008 Eclipsing the Past, Present and Future, 2008, Ink on reflective material and Shoji paper.

Carton II, 2006, Polymerized gypsum, cigarettes, cigars, chewing gums, cigarrette packs,and matches, 1/2. — Liz Magor, Carton II, 2006 Carton II, 2006, Polymerized gypsum, cigarettes, cigars, chewing gums, cigarrette packs,and matches, 1/2.

Box #4, 1962, Collage of various materials. — Charles Gagnon, Boîte n° 4, 1962 Box #4, 1962, Collage of various materials.

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