Collections

Key works in the collection

The works shown here highlight the diverse forms of artistic expression deployed by Québec, Canadian, and international artists represented in the MAC collection. This selection of about 300 works represents only part of the museum’s collection. To discover our complete collection – and much more! – visit MACrépertoire.

The MAC is preparing to open its new museum at Place des Arts. The works from the MAC collection are not currently on display.

Artworks Artists
Origin
Type d'œuvre
Origin
Type d'œuvre
Maquette of Wall and Floor, 2008, Oil on canvas.
Anthony Burnham, Maquette of Wall and Floor, 2008 Maquette of Wall and Floor, 2008, Oil on canvas.
Peinture - 5 février 1964, 1964, Oil on canvas.
Pierre Soulages, Peinture - 5 février 1964, 1964 Peinture - 5 février 1964, 1964, Oil on canvas.
Triplo Igloo, 1984, Aluminum, steel, broken glass, clamps, and clay.
Mario Merz, Triplo Igloo, 1984 Triplo Igloo, 1984, Aluminum, steel, broken glass, clamps, and clay.
Les Tables de sable III (haute, rouge, rompue), 1995, Plywood, wood, acrylic, lacquer, varnish, sand, and 4 silver prints, 1/1.
Jocelyne Alloucherie, Les Tables de sable III (haute, rouge, rompue), 1995 Les Tables de sable III (haute, rouge, rompue), 1995, Plywood, wood, acrylic, lacquer, varnish, sand, and 4 silver prints, 1/1.
Not I/Pas moi, 2006-2007, Diaporama loop projected on a suspended screen of buttons, 2 suspended mirrors, 18 min.
Christine Davis, Not I/Pas moi, 2006-2007 Not I/Pas moi, 2006-2007, Diaporama loop projected on a suspended screen of buttons, 2 suspended mirrors, 18 min.
Boxes # 9, 2014, Oil on canvas.
Richard-Max Tremblay, Boîtes no 9, 2014 Boxes # 9, 2014, Oil on canvas.
Chemin de fer, 1994, Silver gelatin print, 1/3.
Angela Grauerholz, Chemin de fer, 1994 Chemin de fer, 1994, Silver gelatin print, 1/3.
The Last Image. Blind with couch, 2010, 4 Inkjet prints mounted on aluminum, 2 plexiglass casings, and 2 metal frames, 1/3.
Sophie Calle, Aveugle au divan (de la série « La Dernière image », 2010), 2010 The Last Image. Blind with couch, 2010, 4 Inkjet prints mounted on aluminum, 2 plexiglass casings, and 2 metal frames, 1/3.
Calme obscur, 1944-1947, Oil, silica, and clinker on canvas mounted on plywood.
Alfred Pellan, Calme obscur, 1944-1947 Calme obscur, 1944-1947, Oil, silica, and clinker on canvas mounted on plywood.
Parable No. 9 Series: So be it… Factories are closing, museums are opening, but all the nudes have descended the stairs, 1992, Pastel and laser prints on paper mounted on cardboard.
Melvin Charney, Parable No. 9 Series: So be it… Factories are closing, museums are opening, but all the nudes have descended the stairs, 1992 Parable No. 9 Series: So be it… Factories are closing, museums are opening, but all the nudes have descended the stairs, 1992, Pastel and laser prints on paper mounted on cardboard.
Sans titre, 1950, Oil on canvas.
Jean-Paul Riopelle, Sans titre, 1950 Sans titre, 1950, Oil on canvas.
Liquidity Inc., 2014, HD video, colour, signle-band, sound, 30 min, and architectural structure, 1/7.
Hito Steyerl, Liquidity Inc., 2014 Liquidity Inc., 2014, HD video, colour, signle-band, sound, 30 min, and architectural structure, 1/7.
The Density of Notion, 1986, Iron, ashes, metal wire, and egg tempera on cardboard, 2 elements.
Pieter Laurens Mol, The Density of Notion, 1986 The Density of Notion, 1986, Iron, ashes, metal wire, and egg tempera on cardboard, 2 elements.
Your space embracer, 2004, Glass mirror cylinder ring, metal wire, motor, light, and tripod, 3/3.
Olafur Eliasson, Your space embracer, 2004 Your space embracer, 2004, Glass mirror cylinder ring, metal wire, motor, light, and tripod, 3/3.
Pantin, 1997, Oil on canvas.
Pierre Dorion, Pantin, 1997 Pantin, 1997, Oil on canvas.
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