German artist Julian Rosefeldt produced Manifesto in 2015. This thirteen-channel immersive video installation stands as a tribute to the tradition and literary beauty of artist manifestos. The artwork/event, which lies at the crossroads between film, performance and installation, gives the MAC’s audiences an opportunity to personally experience a work that has created a sensation wherever it has been shown.
Each of the thirteen screens in Manifesto presents the same actor (Cate Blanchett) taking on various roles: schoolteacher, homeless man, factory worker, puppeteer, scientist. All of the monologues spoken—actually, the only words spoken in the piece—are formed out of various artists’ manifestos published over the last 150 years or so. Rosefeldt offers us thirteen collages, drawing on the writings of Futurists, Dadaists, Fluxus artists, Suprematists, Situationists, Dogme 95, and the musings of artists, architects, dancers and filmmakers such as Claes Oldenburg, Yvonne Rainer, Kazimir Malevitch, André Breton, Elaine Sturtevant, Sol LeWitt and Jim Jarmusch. The result is a fascinating installation that reveals both the performative component and the political significance of these declarations.
• Manifesto has been mounted in more than a dozen cities around the world; its presentation in Montréal will be only its second in North America, after the Park Avenue Armory in New York.
Manifesto has been co-commissioned by the ACMI – Australian Centre for the Moving Image Melbourne, the Art Gallery of New South Wales Sydney, the Nationalgalerie – Staatliche Museen zu Berlin and the Sprengel Museum Hanover. The work is co-produced by the Burger Collection Hong Kong and the Ruhrtriennale. It was realized thanks to the generous support of the Medienboard Berlin-Brandenburg and in cooperation with Bayerischer Rundfunk.
Berlin-based artist Julian Rosefeldt (born in Munich in 1965) is internationally renowned for his visually opulent and meticulously choreographed moving-image artworks, mostly presented as complex multi-screen installations. Inspired by the histories of film, art and popular culture, Rosefeldt uses cinematic tropes to carry viewers into surreal, theatrical realms where the inhabitants are absorbed by the rituals of everyday life. He employs humour and satire to seduce audiences into familiar worlds made strange.
Rosefeldt’s works are shown internationally at museums and film festivals. Recent, extensive solo shows were held at the Nikolaj Kunsthal, Copenhagen (2017) and HOW Art Museum, Shanghai (2017). His celebrated film installation Manifesto, 2015, has been presented worldwide in numerous solo exhibitions, at the École nationale supérieure des beaux-arts, Paris (2017); Park Avenue Armory, New York (2016/2017); Hamburger Bahnhof – Museum für Gegenwart, Berlin (2016); and ACMI – Australian Centre for the Moving Image, Melbourne (2015), among others. Recent group shows include Deutschland 8 – German Art in Beijing, Today Art Museum, Beijing (2017); Wolfsburg Unlimited, Kunstmuseum Wolfsburg (2016); Zeitgeist: The Art of New Berlin, CCBB – Centro Cultural Banco do Brasil, Rio de Janeiro (2016); Moving Time: Video Art at 50,